An new initialism surfaced a few months after the start of the intensive bombing of Gaza by Israel. Referred to as WCNSF, it stands for “Child casualty without any family left”. This designation is unique to Gaza, per insights from health professionals including child health specialists. Normally, it is rare for medical staff to attend to a minor who has been bereaved of their whole family. But, there has been nothing “normal” regarding the devastating conflict in Gaza, where entire family lineages have been obliterated and the number of child amputees surpasses that of any other place in the world. Nothing ordinary about many doctors arriving back from a sea of ruins with accounts of children being deliberately targeted.
Conditions in Gaza persist as a profound humanitarian disaster. Critical healthcare resources are failing to reach those in need, and groups like Amnesty International contend that atrocities are ongoing. Officials has denied these allegations, consistent with how it refutes all charges it is implicated in. Meanwhile, while young survivors are now enduring frigid conditions in improvised encampments, there is some ostensibly positive news: apparently nothing is going to stop the Eurovision from pursuing its declared purpose of “unity and cultural exchange.” Eurovision will continue to extend a prestigious stage for Israel, although at least four European countries have now boycotted in dissent. Because this, it seems, is what international harmony manifests as.
The contest, notably excluded Russia from taking part in 2022 because of the “serious conflict in Ukraine”. Yet the conflict in Gaza seems treated differently.
Overlook the circumstance that Israel was accused of questionable voting tactics last year in what appears to have been an effort to politicise Eurovision. Forget the fact that a young child was reportedly killed in Gaza just days ago. Pay no mind to the evidence that settler violence and forced displacement in the West Bank have surged. Overlook the situation that global media are still blocked from independent reporting in Gaza. None of this, apparently, should be allowed to get in the way of Eurovision’s self-proclaimed spirit of unity.
Eurovision reaches its seventieth anniversary next year – roughly two times the current lifespan of a person in Gaza now. The event will proceed, but it will find it impossible to reclaim the whimsical pleasure it historically embodied. A competition that once promoted peace has now become a transparent instrument to provide a cultural veneer for conflict.
Elara is a digital artist and designer passionate about blending technology with creativity to inspire others.