That Floating Excrement Was Way Too Symbolic! It's the Television Disappointments of the Year.

Looking back, we consider the television landscape of the recent year, a handful of series stand out not for their excellence, but for their spectacular failures. Ranging from awkward sequels to bafflingly poor docuseries, here are the productions that had us scratching our heads or just reaching for the remote.

And Just Like That

Where to begin with this divisive spin-off? Burdened with woeful writing, cringe-inducing arcs (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the series fought to justify its existence. For a moment, as the final season started, it looked like it had finally hit its stride. Then arrived an installment all about Seema’s natural deodorant. Little surprise the creator declared this would be the final series. It ended on a low point; the closeup of Miranda’s loo flooded with poo was just way too symbolic. Yet, fans undeniably had a hoot dissecting every single “wtf?” moment. And as Carrie – once again single – twirled around her palatial townhouse to Barry White, who didn’t let out a little sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? Of course she can’t.’

But that was practically the smallest of this show's problems. The recipient of a exceedingly uncommon zero star assessment, it was difficult to know where to start enumerating the problems. The hilariously wooden writing? The tedious glorification of wealth and materialism? The seemingly wilful parade of tropes? Acting so bad they felt almost malicious? Suffice it to say “each and every one” and never speak of this series again. Except, a second season has been commissioned, so we’re likely going to have to.

The Charlie Sheen Documentary

Given the legal troubles, abuse allegations and fatherly failures, it’s reasonable to say Charlie Sheen has been a bad boy. Not you’d truly have known it from this multi-part docuseries which smirked its way at Sheen’s various bouts of self-destructive excess while failing to tell us a single thing we weren't already aware of. Instead, it felt as if this loose cannon was being pandered to, so any pity this show might induce should be reserved for the people who have had to suffer close contact with this charismatic but dismissive egotist.

The Iris Affair

Naturally we understood it was ridiculous from the outset: a drama about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We persevered out of sheer admiration for its stars … but by the end, it felt like even they had stopped bothering. One scarcely cared when his character died, and the other ultimately hacking Charlie with an axe … in super slow-motion. Talk about giving up the ghost.

MobLand

Dodgy figures convening in deserted boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and wants its gangland drama back.

In truth, that is harsh on the gangland dramas of the late 90s. Many seem a little dated now, but at least they didn’t endure the ignominy of having to accommodate unconvincing dialects. But there were many other problems. Mainly that it was just really dull; a dispute over narcotics territory between various London rogues which seemed rather simplistic.

With Love, Meghan

Considering the extent to which she provokes the ire of certain ostentatiously enraged commentators, it’s almost tempting to applaud the Duchess of Sussex’s various forays into twee homemaking as deliberate provocations. But then you view them and are compelled to admit that actually, they may have a point. It’s like watching a lifestyle catalogue come to life; a poster for wine o’clock with delusions of grandeur; a procession of sleeping dogs, buzzing beehives, Hallmark sayings and pointless crafting “hacks” you’ll not remember instantly. All supported by immense, mostly undeserved wealth. Ugh.

Victoria Beckham

There are clearly fascinating things to be said about regarding Victoria Beckham and her struggles with career, identity, self-acceptance. But for whatever reason, this documentary series opted not to explore them. Instead, the experience was like consuming a marketing brochure. She obviously has good reason to bridle at what she describes as her “stern” image. But unfortunately, she failed to do herself any favours with this guarded letdown of a series.

The Inheritance

It had the potential to be the next big hit – except even more extravagant, with a famous star as a deceased benefactor and a well-known personality overseeing her estate. What more could you ask for? As contestants battled it out, there was plenty of betrayal and arguing. But the rules quickly became bewildering: it’s still too complicated to explain what exactly was happening. Even more disappointingly, we only saw brief appearances of the star via filmed videos. The series ended up reeking of a production that was straining desperately to live up to something far greater than it.

Too Much

How do you follow a show that captured a generation? The pressure was immense for this glitzy romantic comedy about Jessica, a rosy-eyed New Yorker who arrives in London with a shattered romance. The lead actress took her biggest role by the horns and was joyous to watch, embodying Austen levels of romantic notions. But it was all very glossy and, ironically, was not enough. Plus, the sheer amount of famous friends involved felt uncomfortable.

The Sketch Show Return

Not even good enough to be ‘uneven’.

Given the shrewd recruitment of gifted emerging comics, expectations were high. But sadly, most of it didn’t land. A recurring sketch was a one-note joke stretched to a husk but recurring in every episode. One star seemed too ready to slip into a familiar ranting mode. The writing room sketches, in contrast, simply provoked the idea that they should probably have remained in there a while longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively showcased the perspective of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the horrific 2007 murder, this was not it. The material needed to be handled with care. Rather, the series laboured awkwardly to find the right voice, lumbering from strangely jaunty, somewhat mannered farce to inevitably, real-life horror. Complex? Arguably. A complete mess? Absolutely.

Prime Target

We admire the lead actor … but did we believe him playing the most brilliant maths genius in history, a man so smart he’s on the verge of a breakthrough that could destabilise society? No! This globe-trotting thriller about government agencies targeting – and eliminating – academics frankly got more farcical by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This hagiography followed the online personality renowned for explicit escapades as she prepared for her most extreme feat yet. What on earth would possess her? What we wanted was way more interrogation of her true psyche, plus those of the men in the line. They could at least have spoken to the now-famous mum who showed up to haul her son out of the queue. What we got was disturbing shots and absolutely no critical analysis of her infamy whatsoever. It's staggering to consider, the filmmaker has a young daughter too.

Erica Dickson
Erica Dickson

Elara is a digital artist and designer passionate about blending technology with creativity to inspire others.