Over the spanning nearly four centuries, the Atlantic slave trafficking system saw 12.5 million Africans forcibly taken from their homelands to the Americas. A devastating 1.8 million of those souls perished during the voyage, subjected to unfathomable conditions of extreme confinement, squalor, and disease. Some took their own lives by leaping overboard, whereas others were callously thrown into the sea.
In The Zorg, author Siddharth Kara presents two parallel narratives. The first chronicles a horrific incident aboard the eponymous slave ship—the deliberate murder of 132 captive individuals by its British crew. The second story examines how this atrocity came to influence the abolition of the Atlantic slave trade in 1807, driven in large part by the relentless efforts of a dazzling array of committed campaigners. Among them was Olaudah Equiano, who authored one of the few surviving first-person narratives of the Middle Passage, describing it as “a scene of horror almost inconceivable”.
The account begins in Liverpool, a port city that at the height of its prosperity was accountable for 40% of Europe's slave trafficking. Financing slavery was a lucrative venture for not just the elites but also the common people. One such investor, William Gregson, saved up his wages from rope-making, invested them into the slave trade, and rose to become a wealthy burgher and even mayor. Gregson provided the funds for the slave ship The William, which set sail from Liverpool for West Africa in October 1780 under Captain Richard Hanley. Its cargo was loaded with commodities like tobacco, firearms, knives, and various “India goods” such as chintz and cowrie shells—the latter being a standard rate in the purchase of enslaved people.
Around the same time, a Dutch slave vessel named the Zorg (later anglicized by the British as the Zong) had left the Netherlands. With Britain at war with the Dutch in late 1780, the Royal Navy granted British ships authority to capture Dutch ships at sea—a virtual sanctioning of piracy. The Zorg was soon captured by a British captain and anchored off the Gold Coast. Meanwhile, Captain Hanley, on a slaving expedition, picked up a fleeing British governor named Robert Stubbs, who had been removed for graft.
When Hanley reached Cape Coast Castle—a fortress with a vast holding cell beneath it—he assumed control of the captured Zorg. He then severely overcrowd it with captives, put a dozen of his own crew on board, and appointed Luke Collingwood, a ship's surgeon of dubious seamanship, its captain. In August 1781, the Zorg finally left Accra carrying 442 enslaved Africans, 17 crew members, and one depraved passenger: the former governor, Robert Stubbs.
Kara excels in using historical documents to vividly reconstruct the collective nightmare of being transported on a slave ship.
The Zorg's journey was plagued with disaster. "The flux" swept through the vessel, and then scurvy. The captain fell ill, became delirious, and handed command over to Stubbs. Thus, “a ship full of decay and death was being commanded by a passenger.” Kara effectively employs eyewitness accounts to paint a picture of the unmitigated terror. The powerful testimony of Alexander Falconbridge, a doctor who became an activist, details how the enslaved people's skin was often worn down to the bone from being packed on bare wood, their flesh caught between the planks.
By late November 1781, the Zorg was far from Jamaica and critically short on water. The crew resolved to jettison a number of the enslaved Africans, who had already suffered through months of obscene conditions below deck. This monstrous act was not motivated by ensuring survival—the Africans had pleaded to be allowed to live, even without water rations—but by cold economic greed. Maritime insurance policies did not cover deaths from natural causes, but they would pay for cargo discarded out of “necessity” for the ship's safety. Over a period of days, the crew murdered “those Africans who would be worth less at auction”—the infirm, the sick, including women and children, among them a baby born during the voyage.
Back in Liverpool, investor William Gregson was unhappy about the profit on his venture. He submitted an insurance claim for £30 per lost slave—a substantial sum in today's money. The insurers refused to pay. In March 1783, Gregson took them to court and won a trial by jury, with his lawyers arguing that throwing the enslaved people overboard had been “necessary.”
According to Kara, “there is a direct line of causality between the public exposure of the Zorg murders and the first movement to abolish slavery in England.” Merely twelve days after the trial, an published essay appeared in a widely read English newspaper. The author, who claimed to have been present the court proceedings, made a powerful case against slavery, citing the Zorg case as a prime example of its brutality. Olaudah Equiano read the letter and brought it to the activist Granville Sharp, who petitioned for a new trial. At the following hearing, the events on the Zorg were examined in meticulous detail, exactly what the abolitionists had hoped for.
In the spring of 1787, the initial group of the Society for Effecting the Abolition of the Slave Trade convened. Over the following years, they wrote letters, orated, lobbied tirelessly, and meticulously documented the particulars of the slave trade. “Their efforts,” Kara writes, “would lay a blueprint for the pursuit of social justice.” After years of setbacks, the Act for the Abolition of the Slave Trade was enacted in 1807.
The question of who or what deserves credit for abolition is contentious. The Zorg's influence, however, is visibly captured by J.M.W. Turner's famous painting, The Slave Ship, which was inspired by the events of 1781. While slavery has been widespread in human history, its abolition following a prolonged mass campaign was historic, serving as an affirmation to the power of moral courage, the pen, and relentless persistence.
Unlike his other work—such as the acclaimed Cobalt Red—Kara has had to address certain gaps in the available documentation. Consequently, speculative passages contrast with scrupulously factual accounts, giving the book a slightly hybrid feel. A blend of narrative suspense and part serious nonfiction, The Zorg ultimately succeeds in shedding light on one of history's darkest chapters, using compelling prose and meticulous research to assemble a portrait that haunts the reader well after the final page.
Elara is a digital artist and designer passionate about blending technology with creativity to inspire others.