Katherine Ryan on Feminism, Success, Negative Reviews and Audacity.

‘Especially in this place, I believe you craved me. You didn't comprehend it but you required me, to alleviate some of your own embarrassment.” The comedian, the 42-year-old Canadian humorist who has been based in the UK for almost 20 years, has brought her newly minted fourth child. She removes her breast pumps so they won't create an annoying sound. The primary observation you see is the remarkable capacity of this woman, who can project parental devotion while articulating logical sentences in full statements, and remaining distracted.

The second thing you observe is what she’s known for – a genuine, inherent fearlessness, a rejection of artifice and duplicity. When she emerged in the UK stand-up scene in 2008, her challenge was that she was exceptionally beautiful and made no attempt not to know it. “Trying to be elegant or beautiful was seen as catering to male approval,” she remembers of the early 2010s, “which was the opposite of what a comedian would do. It was a trend to be modest. If you went on stage in a stylish dress with your underwear and heels, like, ‘I think I’m fabulous,’ that would be seen as really alienating, but I did it because that’s what I wanted.”

Then there was her material, which she explains simply: “Women, especially, needed someone to appear and be like: ‘Hey, that’s OK. You can be a feminist and have a cosmetic surgery and have been a bit of a slag for a while. You can be flawed as a parent, as a significant other and as a selector of men. You can be someone who is afraid of men, but is bold enough to slag them off; you don’t have to be deferential to them the all the time.’”

‘If you took to the stage in your little push-up bra and heels, that would be seen as really alienating’

The underlying theme to that is an focus on what’s real: if you have your infant with you, you most likely have your feeding equipment; if you have the facial structure of a youngster, you’ve most likely received treatments; if you want to lose weight, well, there are medications for that. “I’m not on any yet, but I’ll consider them when I’ve stopped nursing,” she says. It touches on the heart of how female emancipation is conceived, which in my view hasn’t really changed in the past 50 years: liberation means appearing beautiful but not dwelling about it; being universally desired, but avoiding the male gaze; having an unshakeable sense of self which perish the thought you would ever alter cosmetically; and allied to all that, women, especially, are meant to never think about money but nevertheless thrive under the demands of current financial conditions. All of which is sustained by the majority of us being dishonest, most of the time.

“For a while people went: ‘What? She just speaks about things?’ But I’m not trying to be provocative all the time. My personal stories, choices and mistakes, they live in this space between satisfaction and shame. It occurred, I talk about it, and maybe relief comes out of the humor. I love revealing secrets; I want people to confide in me their private thoughts. I want to know missteps people have made. I don’t know why I’m so keen for it, but I view it like a bond.”

Ryan grew up in Sarnia, Ontario, a place that was not especially affluent or urban and had a active community theater theater scene. Her dad ran an technical company, her mother was in IT, and they demanded a lot of her because she was bright, a perfectionist. She dreamed of leaving from the age of about seven. “It was the type of place where people are very pleased to live next door to their parents and stay there for a considerable period and have their friends' children. When I visit now, all these kids look really familiar to me, because I spent my childhood with both their parents.” But isn't it true she partnered with her own high school sweetheart? She traveled back to Sarnia, caught up with an old flame, who she dated as a teenager, and now – six years later – they have three children together, plus Violet, now 16, who Ryan had brought up until then as a solo mom. “Right,” says Ryan. “Sometimes I think there’s another life where I avoided that, and it’s still just Violet and me, stylish, cosmopolitan, portable. But we cannot completely leave behind where we came from, it appears.”

‘We are always connected to where we started’

She got away for a bit, aged 18, and moved to Toronto, which she adored. These were the time at the restaurant, which has been another source of controversy, not just that she worked – and found it fun – in a establishment (except this is a myth: “You would be dismissed for being topless; you’re not allowed to be unclothed”), but also for a bit in one of her performances where she talked about giving a manager a blowjob in return for being allowed to go home early. It breached so many red lines – what even was that? Exploitation? Sex work? Predatory behavior? Unsisterliness (towards whoever it was who had to stay late so she could leave early)? Whatever it was, you certainly weren’t supposed to joke about it.

Ryan was shocked that her story caused controversy – she was fond of the guy! She also wanted to go home early. But it cracked open something broader: a calculated rigidity around sex, a sense that the price of the #MeToo movement was performed modesty. “I’ve always found this interesting, in arguments about sex, permission and manipulation, the people who don’t understand the complexity of it. Therefore if this is abuse, why isn’t that abuse?” She mentions the comparison of certain statements to lyrics in popular music. “Some individuals said: ‘Well, how’s that dissimilar?’ I thought: ‘How is it comparable?’”

She would not have relocated to London in 2008 had it not been for her then boyfriend. “Everyone said: ‘Don’t go to London, they have vermin there.’ And I hated it, because I was immediately poor.”

‘I felt confident I had material’

She got a job in retail, was diagnosed lupus, which can sometimes make it challenging to get pregnant, and at 23, made the decision to try to have a baby. “When you’re first diagnosed something – I was quite unwell at the time – you go to the darkest possibility. My reasoning with my boyfriend was, we’ve had so many issues, if we haven't separated by now, we never will. Now I see how long life is, and how many things can transform. But at 23, I was unaware.” She was able to get pregnant and had Violet.

The following period sounds as high-pressure as a classic comedy film. While on time off, she would look after Violet in the day and try to enter performance in the evening, taking her daughter with her. She felt from her sales job that she had no problem being convincing, and she had faith in her fast thinking from her time at Hooters; more than that, she says bluntly, “I felt sure I had material.” The whole industry was riddled with bias – she won a notable comedy award in 2008, just over a year after she’d started performing, a prize that was created in the context of a ongoing debate about whether women could be funny

Erica Dickson
Erica Dickson

Elara is a digital artist and designer passionate about blending technology with creativity to inspire others.