“Well, the situation is pretty dire here. Our recommendation is all of our clients to invest all their resources into preserved goods and firearms.” That bit of wise counsel comes from the Brain Gremlin – a genetically modified, speaking, glasses-wearing member of the oozy monster mob that infests Manhattan’s high-tech Clamp Tower skyscraper in filmmaker Joe Dante’s unhinged continuation Gremlins 2: The New Batch. At first glance, it’s merely an investment tip from one monster to another. However, in a strange manner, it’s also surprisingly sturdy life advice. Seriously, consider my perspective.
When situations deteriorate, the biggest mistake you can do is take things too seriously. The Brain Gremlin grasps this. In fact, a large portion of the fang-bearing creatures that inhabit Dante’s chaotic 1990 feature (debateably his greatest) possess the same sly, self-aware funny bone regarding the hazy boundary separating everyday life and absolute bedlam. It’s a particular aspect of Gremlins 2: The New Batch that ensures my return – and the older I get, it’s the message that echoes the loudest.
Of course, my fondness for this movie wasn’t born on such an deeply thoughtful note. As a child, we were limited to a few well-worn videocassettes at home. Part of that group were Gremlins and its follow-up, the latter housed in a thick former-rental sleeve almost certainly acquired from an non-chain rental store and sporting growling monsters on its knackered cover. I was immediately enamoured and these films wasted no time lodging themselves inside my tiny, impressionable mind. After that point, they became an near-everyday part of my childhood viewing routine.
Dante’s first film typically gets all the accolades, thanks largely to its status as a moderately spooky festive favorite – and don’t get me wrong, I’ve watched Gremlins an incalculable number of times. That said, its follow-up seldom receives the same level of elevated esteem, which feels a travesty. As a kid, I’d always seize the chance to watch Gremlins 2. During sunny school summer breaks, I’d seclude myself indoors and stick it on. When I obtained my very own TV-VHS combo unit, it stayed in constant rotation in my bedroom. With repetition, it ingrained itself in my psyche. If my parents observed this fixation, they appeared unbothered.
As I got older, new understandings enhanced repeat viewings, amplifying the pleasure of watching little green monsters happily vandalize a New York high-rise. I learned the forward-thinking real estate tycoon and Clamp Tower owner, Daniel Clamp (John Glover), was based squarely upon future president Donald Trump, with his red-headed employee Marla (Haviland Morris) referencing his second wife Marla Maples. Thankfully, Clamp has more heart than his actual-world equivalent.
The “doomsday” video Clamp plays during maximum monster mayhem? I discovered it was based on a real-life “Doomsday” video produced by the CNN boss Ted Turner in case the world truly faced apocalypse. I noticed how Dante made a special effort to film varying versions of a self-referential segment where Gremlins take over the actual feature in progress. One for cinemas, a separate one for tape and broadcast, each providing a grinning portion of fourth-wall-breaking cultural alchemy ahead of its time.
While it was creature designer Rick Baker’s wonderfully grotesque creatures that captured my attention as a child, this subsurface richness held my interest as an adult. Eventually, I even conversed with Dante about it myself and he had no hesitation informing me he made the movie with the express purpose of poking fun at those who loved its absurd-yet-genuine predecessor and wanted more. “We were going to make fun of the fact you came to see it,” he cheerfully disclosed. This Looney Tunes-esque rebelliousness and commitment to not take his sequel as seriously as his Warner Bros bosses clearly wanted him to, only made me love it even more.
When I went through a sudden family bereavement earlier this year, I was astonished to realize that, during my most profound sorrow, all I felt compelled to do was sit and watch Gremlins 2: The New Batch. Strange, isn’t it? Perhaps not. The soothing reminiscence it provided was essential to dilute my mind’s sadness sludge – but the stuff it had imparted to me as an adult were equally valuable.
Like Gremlins tearing apart a genetics laboratory, there’s some things in life you just can’t control. Dante knows it. The Brain Gremlin knows it too. Sometimes, you have to be like them: welcome the pandemonium, invest all your resources into tinned provisions and hunting rifles and try not to view the world with undue solemnity.
It’s strong life advice from a very unlikely source – and it’s the reason Gremlins 2: The New Batch will forever remain my feelgood film.
Elara is a digital artist and designer passionate about blending technology with creativity to inspire others.